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#What does waves vocal rider do pro#
It’s a nice feature, but the fact that it only works in Pro Tools is annoying. Rather, using the side-chain input allows Vocal Rider to cause the voiceover to ride more smoothly above the music bed. Note that this does not turn Vocal Rider into a ducker - there are plenty of those out there, and I was not able to get the Vocal Rider to work as an effective ducker. A sensitivity LED monitors the response to the side-chain input and lights when the music is affecting the Rider Fader. If the bed gets louder during a chorus, then the voiceover will be lifted a bit so it doesn’t get buried.
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The Music Sensitivity knob determines the amount by which Vocal Rider reacts to the music bed level. Do make sure that you’ve turned up the send level to a nominal volume. To enable it, you first need to create a send from your music bed’s mixer channel, then assign that send to the side-chain input of Vocal Rider. Next to the Vocal sensitivity knob is a Music Sensitivity knob, which is coupled to the use of the side-chain input, which only works with Pro Tools and a few other editors. Note that Vocal Rider also includes Waves’ own breath-detection algorithm, so that the plug-in doesn’t turn up all the breath sounds between words. A Ride/Idle activity LED lights when an above-threshold VO has been detected. Vocal Sensitivity is, in essence, a threshold that tells Vocal Rider to ignore sounds below a certain level, and how sensitive to the sound envelope it should be. In the regular version of Vocal Rider, the leftmost knob is the Vocal Sensitivity, which helps the plug identify beginnings and endings of words as well as eliminating extraneous noises from the analysis process.
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As mentioned above, the Live version includes a knob called Spill. Note that we haven’t discussed the knobs above the Rider Fader.